I've had an amazing couple of days in London, Aethelflaed the puppet went on several explores and we did the Bishopsgate Women's History History ShowOff with Science ShowOff where we were sharing the stage with Christmas Lecture peeps and British Museum peeps etc... It was a fab event but the weather was not kind to us on the journey home nor was the traffic and so a 3 hr journey took over 7.
So for now we are relaxing with the Lady of Mercia gaming and making some thrones - or she will be once she has mined some iron.
This is Loki my hammer - it is a Thor number 2 copper and raw hide mallet and is one of the hammers I always paw over when we go to the welding gas shop. I kind of wanted a hammer for the workshops I am preparing for the Aethelflaed Festival in June so it seemed like the right time to actually take the plunge and buy the thing.
This will be used for leather, metal and wood projects - the guy in the shop asked what I wanted it for and I started to explain about the impression work I have been doing - he suggested that I call the made things Loki Impressed which is kind of fun 🙂
Expect to see it a lot on the Salaric blogs 🙂
These hammers are awesome and have been used for all sorts of things including the Royal Engineers during the second world war as it meant they could assemble last minute bridges at night in enemy territory without making loud hammering sounds. They are the mainstay of engineers who need to be gentle whilst hammering their machines or miners who need to avoid sparks (well did graduate from the Royal School of Mines!) and of course jewellery makers love these things!
I wish I had the old one shown on the Wikipedia page - just look at it! Look at the mushroom wear on those hammer heads - this in an instrument that has made many things!
It is a bit of a faff but you can replace the heads when they get too worn so I am hoping that Loki is with me for life! I may well have hugged it all the way home whilst grinning - I think it disturbed Alaric slightly 🙂
You can even watch how they are made 🙂
This one has audio commentary 🙂
You can read up on the manufacturing history and techniques on their website too 🙂 Since our visit to Makers Central I have been interested in where my tools actually come from - so am very pleased I can trace my hammer like this.
This year marks the 1100 yr anniversary of the death of Queen Aethelflaed Lady of Mercia and Mother of England - a Warrior Queen lost from much of our visible and accessible history in this country. Finding out that Gloucester is where she was buried and that there was going to be a festival in honour of her in June - I decided to undertake an Aethelflaed Quest and Search for All Things Anglo-Saxon. I have since ended up on board and doing things for the festival - I am having a lot of fun and there is a new puppet - Aethelflaed herself once more resides in Gloucester.
Here is the weekly tweets 🙂
Today there is poetry in Worcester and a sneaky bit of the #AethelflaedQuest
Worcester contains many things - yesterday it contained me and @alaric on our #AethelflaedQuest, swans, lots of union jacks, me and the Food For Thoughts posse poeming at Heroes and people feeling they have to narrative my movements from black out window vans pic.twitter.com/RanZOSM80D
Aethelflaed Lady of Mercia is sporting her new cloak and golden hair ties - she is planning on having a little photo shoot around town today 🙂 #AethelflaedQuest and my search for all things Anglo-Saxon #cuddlysciencepic.twitter.com/L7uzvskjaE
And talking of #worcester and the #AethelflaedQuest we found her in the Cathedral gleaming with the sunlight - there is a whole history panorama in the windows - my camera was sadly running out of charge so I will have to go back again. I might also have bought more books. pic.twitter.com/lngjXAoGpM
Queen Aethelflaed the Puppet really likes this sculpture she found on her tour of #Gloucester - she has been informed that it was designed by students at Crypt and would like to know more about the art that has emerged in her jewel of a city in the last 1100 yrs #aethelflaedQuestpic.twitter.com/xj8boHTpXX
The Festival is all over the city - I am doing family fun drove in stuff actually at the ruins of St Oswolds - you can find out more about the whole thing here.
Bit late to be adding this now considering I have already performed at a few including the Swindon Literature Festival's 25th anniversary extravaganza of a poetry slam (Joy-Amy won!!!) which included people like Tina Sedaholm and other previous winners. I have been to London, Bristol, and Stroud also - but that is the what has been and there is still a lot to come!
Sat 19th May 3-7 pm Food For Thoughts Heroes event in Worcester - poetry, music, spoken word, comedy and story telling - free with charity collection
Tues 22nd May 6-8 pm Gloucester's second Pecha Kucha Night - fast fun Japanese style presentations on various creative and community aspects or the creatives tales themselves - my presentations is From Rocks To Puppets and Back Again - Gloucester - free
Sun 27th May 2-4 pm - Sea Special Villanelles at Waterstones Cafe - I am co-hosting this event with poetry games and open mic, come and share your own work or poems that have inspired you - Gloucester - free and family friendly
Wed 30th May 7:30 pm start - History Showoff Women's Special at the Bishopsgate Institute - a night of comedy and cabaret - come and meet Aethelflaed the Puppet and learn about the Warrior Queen of the Mercians! (psst she's much better than her old dad who only went and burnt the cakes!) - ticketed event £9
And June isn't looking too shabby either - but more on that later!
So I have been investigating the oral traditions of the Anglo-Saxons, this includes song, poetry and story telling and really how the three were once one thing - no ones really quiet sure what the music sounded like or how much of the stories where sung or spoken - there were probably variations like we have today - after all they were people just like us.
Replicas of the instruments much such beautiful haunting sounds that I have fallen in love with them and found myself falling down a rabbit whole of music history and theory. I am now reading up on the general history of the lyre or harp which has taken me back into the old testament of the bible and also into listening to Pirate Thrash Metal!
Stories where not just entertainment they were the history and identity of people but they were also the media of the time. You wanted to be remembered then you needed the bards to sing of you! Aethelflaed, her father Alfred the Great and her brother all knew how important stories could be.
We are lucky in that some of these stories still exist today - some even got written down in contemporary times ie more than a millennium ago! But even written stories struggle at being static and alter with the copying and in some cases purging of the words. Aethelflaed herself appears to have been purposefully written out of the Wessex or primary version of the Anglo-Saxon Chronicle - by her brother for fear that the stories of her would encourage her Kingdom of Mercia to see itself as always distinct from Wessex. But she appears in later stories - romanticised and even turned into a virgin - though potentially that is due to exact meanings of words changing through time.
It is thought that the poem Judith is based on her - and maybe even commissioned by her - it casts parallels of the virtuous biblical female and the Lady of Mercia. I need to investigate it more - here's the [Wikipedia page](Anglo-Saxon poem Judith). I am struggling to find copies or it but I have found this 7 hr etc... video of another poem called The Wanderer - this is the one I have been quoting (in translation) at my poetry afternoons in Waterstones in Gloucester.
Of course the fact that I am having to read out translations is another fascinating warren of knowledge for me to investigate - I was taught in school about Old and Middle English but I kind of forgot about it all except when Alaric starts quoting Chuarcer at me. Due to character develop for my puppet of Aethelflaed I am also investigating the language - I love how languages split and merge and change and how you can trace human interactions along the lines of dialects and word exchange. But that shall be another blog post or two - back to Anglo-Saxon Music.
Youtube is filled with some brilliant pieces.
Anglo-Saxon poem "Deor" with Lyre
One of the reasons I have got myself a lyre is because they appear in the art works of Anglo-Saxon England and remnants have been found both in Britain on in Europe, culturally the Anglo-Saxons where from northern Europe including what is now Germany and those pesky Vikings they were fighting, they had once been themselves. So you can through Danes into the mix not to mention the "Celtic" and Britons who were lurking around since before Roman times, we always tend to think of history in simple A to B narratives but it very much isn't and there are influences from all over the place. The lyre itself is a very ancient instrument and may well have come to Europe from the Middle East - as in the harp that David plays in the bible.
But the lyre is not the only instrument that the Anglo-Saxons used - drums and flutes are featured in their artworks - I simply do not have the budget to explore these other instruments at the moment but it is on the to-do list. It is thought that they would often have been played in conjunction with each other - here is an example.
Anglo-Saxon Folk Music - "Wælheall"
Music isn't as clear cut a thing as I was initially taught at school with 8 notes and nothing in-between, musical tuning and what counts as a note has changed quiet drastically. I see this as an amazing diversity and am happy because having grown up with folk and gospel singing I also struggled with the classical definition of music. Rock and pop tend to mix it all up which I think is also fab! But this can mean that people perceive older types of music or say those from India etc... as being out of tune. This isn't the case but it is due to how the instruments are tuned. They are in tune with themselves and not necessarily with other surrounding instruments, you have to work at finding what fits together and as a vocalist adapt to the instruments you are singing along with. In choir I did a lot of singing without instrument backing - sometime the song sound fab - we were all in tune with each other and the music was full and vibrating the rafters but when the piano was dinged at the end to see if we had maintained our tuning - we... hadn't. We were off doing our own thing. I think that this is kind of how older music would have worked - you had natural materials which would affect what sounds the finished instrument would be suited too ie the grain of the wood and the shape in which it carved, the diet of the animal the sinue came from to string it... so many little factors. The classical music that we are taught as Music in schools has very specific parameters and if and instrument can't meet those it is considered defective - I think there is no coincidence that the emergence of such strict musicality came about as technology and science began to be a thing throughout Europe.
This is complete guess work on my part I can't even read music (well not with out looking the notes up and then pinging them on my guitar! I've always worked things out by watching or just playing around with the instrument), I am certainly no music theorist and I'm not even a historian! If I am wrong - tell me how I am wrong - I am investigating this stuff - searching and learning and others input is always appreciated!
What's that? I digressed? Yeah ok you have a point....
I will finish off with this video I found of The Classic - the first piece of European Literature (if you take the Mediterranean as not being Europe) - the Epic Poem of BeoWulf sung and played on the hardy-gurdy (now there's an instrument I would like to get my hands on! But I believe it was a later dated instrument - more high medieval than the low medieval of Saxon England - I could be wrong as I have a hell of a lot more reading to do!).
I think this is this guy - anyway I better get back to trying to work out how to play my lyre - twinkle twinkle little star.... ok so they are the tunes I knew the best ok!
Aethelflaed and All things Anglo-Saxon, Sarah, Travelling | sarah | 
Thu 31st May 2018 11:09 pm | 
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